![]() ![]() The Gospel According to Jesus Christ is a fictional re-telling of the life of Jesus Christ. It’s the second set text in the Creative Writing course I’m doing at Glasgow University. To quote Jack Kornfield, from another faith tradition, “after the ecstasy comes the laundry.I need to read The Gospel According to Jesus Christ by Jose Saramago before the 12 January 2013. “Jesus Revolution” is more of a wistful wish to bring in a wave of new followers than an effort to understand what they'll need once they’re there. It's tricky to balance acceptance, guidance, and consequences it is impossible to make everyone feel equally valued all the time. This film is capably made but superficial. There is nothing about the troubled years covered in the documentary, “Frisbee: The Life and Death of a Hippie Preacher.” Yet, when Smith and Frisbee have an acrimonious split after Frisbee starts exhibiting signs of instability and grandiosity, all we learn is a brief text over the end credits that they later reconciled. This is your home.” In other words, comfort. Smith promises forgiveness, freedom, and acceptance, “No guilt trips. And yet, that is just what this film does not do. The people he wants to comfort are the young people seeking God, not those who think they already found Him. Smith tells them that perhaps that should be his purpose. The “contributing” parishioners say they feel uncomfortable. The real-life Greg Laurie is a pastor, married to Cathe. He is also drawn to Cathe ( Anna Grace Barlow, engagingly natural), though it takes a bit longer to figure that out. When a reporter asks if he is part of “God’s forever family,” he shrugs, “I don’t really know what a family feels like.” He finds himself drawn to the sense of community, purpose, and spirituality Smith and Frisbee are offering. He comes first as an observer, bringing his movie camera. Much of this story is seen through the eyes of Laurie ( Joel Courtney), whose book inspired the film. Every doubt, every regret, all washed away forever.” What you’re seeing is a symbol of new life. Smith’s promise is a big one: “It’s not something to explain. There are joyous mass baptisms in the Pacific Ocean. Others are touched by the newcomers' sincerity.Īnd there are a lot of newcomers. Some members of the church leave in disgust. When the parishioners complain about the newcomers’ dirty bare feet, the pastor does what Jesus did: he washes their feet. Smith brings Frisbee and his followers into his home and his church. Their experimentation with drugs is a search “for all the right things in all the wrong places.” He believes he can show them that the right place is God. Frisbee tells Smith there's an opportunity to reach hippies because all of the things that worry him, their rejection of their parents’ values. Initially certain that Frisbee is just an irresponsible hippie, Smith is impressed with his sincerity, humility, and dedication to the messages of Jesus about generosity and a spirit of welcome. Smith’s daughter persuades him to talk to the long-haired and improbably named Lonnie Frisbee ( Jonathan Roumie). ![]() Kelsey Grammer plays Chuck Smith, a minister in California who presides over a traditional church named Calvary Chapel. Nor does this film explore hard questions about how the cleansing of baptism does not necessarily lead to a perpetually “buoyant atmosphere of hope and love.” Instead, it's a gently told story preaching to the converts, assuming that evangelical Christianity is unassailably the answer without considering this particular form of worship may not be the answer for all. This movie is not about certain details, like one of its real-life characters’ homosexuality and history of substance abuse and instability. That is the story and the message of a new film, also called “Jesus Revolution,” based on a book by one of the leaders of the “Jesus freaks,” Greg Laurie. “Their love seems more sincere than a slogan, deeper than the fast-fading sentiments of the flower children what startles the outsider is the extraordinary sense of joy that they are able to communicate.” They were the subject of a Jcover story in TIME Magazine titled “The Jesus Revolution.” “There is an uncommon morning freshness to this movement, a buoyant atmosphere of hope and love along with the usual rebel zeal,” the story gushed.
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